A boulder that is
An egg that is
A seed that becomes
A flower and
A boulder that is
An egg that is
A seed that becomes
A flower and
I’m beginning a new collection of paintings. It’s called Unknowable. I want to learn to trust myself, and the unknowable experience of life. I’ll make 12 process paintings where I face my fear of the unknown, and release myself into what is, as it is, when it is.
This little fellow is back in a study for much larger paintings of some of the aM all figures.
Exploring messiness by posting this before the paint dries.
Here’s what I believe:
Deep down, I love you no matter what. My messy art helps me love myself, too. It’s scary to show so much of myself in the work. but maybe the rawness will entice others to love themselves as they are.
Here’s why it matters:
It’s all fine to smack down happy daisies, I get that, but love is real. When I was young, my father ended his life. That did not have to happen. When you have the guts to stand up for love you are the change we need.
Below are three images of a single painting at different stages of its development.
The painting begins with a free emotional expression.
A concept emerges and adds meaning to the expression.
The final painting is a stylized version of the concept.
But why do I paint over my messes? What if the mess is the art?
Second painting of an emerging triptych.
Gateway 2. Acrylic on wood panel. 12” square.
Gateway. Acrylic on wood panel. 12” square. This piece is both masculine and feminine. The brush strokes are free, and the shapes are solid, almost sculptural. Ten layers of paint add texture, complexity, and emotion.
DESTROYED.